About Us

Anjalli Jain is a multidisciplinary artist whose practice finds its fullest expression in jewellery. Her collections bring traditional Indian techniques into contemporary compositions through sculptural forms, unexpected proportions and a distinctive interplay of metal, stone and colour.

Her Master’s in Chemistry shaped the precision and curiosity with which she approaches materials and construction. She later taught herself to paint and design furniture, developing an intuitive understanding of colour, structure, weight and the presence an object can hold within a space. These disciplines now converge in jewellery, where artistic instinct is grounded in technical attention.

After raising her children, Anjalli founded the house and built it from the ground up. She developed the business while learning every dimension of the industry, from the market and the making process to the relationship a customer forms with a piece over time.

Her design language has evolved through years of close collaboration with karigars, who realise each composition in metal and stone. Kundan, the traditional technique of securing stones with layers of refined gold foil, sits at the centre of her collections. She combines it with a material vocabulary of mixed metals, gold and silver tones, and oxidised finishes, carrying an established craft into a distinctly contemporary context.

Based in Delhi, the house serves clients across Mumbai, Bengaluru, the United States and the United Kingdom. Its jewellery has been carried by Pernia’s Pop-Up Shop, Ogaan, Aza Fashion, Anantam , WeaverStory, Collage, Aashni & Co., and FabIndia.

Her daughter, Avantika Jain, brings a second creative discipline to the house. She holds a Master’s in Graphic Design and New Media from the Academy of Art University in San Francisco, California, USA, and her practice spans visual design, interactive art installations, and music. 

At the house, Avantika shapes how the jewellery is seen and experienced through creative direction, imagery, digital presence, spatial language and brand strategy. Her work creates the visual and cultural world around each object, extending Anjalli’s material language across screen, image and space.

Their disciplines remain distinct, but their approach is shared. Both have turned curiosity into knowledge, knowledge into practice and practice into something tangible. That independence of thought, carried across two generations, continues to shape the house and the worlds it is building beyond jewellery.